＜p＞This volume presents studies of some of the key artistic manifestations in Catalonia in recent times, a period of innovation and experimentation, and addresses issues concerning literature, film, theatre and performance art. From the creation of a new popular theatre in the work of the Valencian playwright Rodolf Sirera, or the conception of landscape, myth and memory in the late work of the novelist Merc? Rodoreda and the urgency of memory and remembrance in the writings of Jordi Coca, the effects of censorship in Catalonia appear to have proved a spur and a challenge to writers. Desiring to occupy illegal spaces, performance groups have manifested both literally and metaphorically the international dimension of Catalan culture in the modern period, posed in the present volume by the instances of ＜em＞La Cubana＜/em＞ and ＜em＞Els Joglars＜/em＞, and further evidenced in the cross-fertilization in the work of contemporary Catalan playwrights and filmmakers to foreground issues of national plurality and tensions arising between the periphery (Catalonia) and the centre (Spain and Castile).＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞This book reclaims for Wales the history and culture of a music that eventually emerged as jazz in the 1920s, its tendrils and roots extending back to slave songs and abolition campaign songs, and Swansea’s long-forgotten connection with Cincinnati, Ohio. The main themes of the book are to illustrate and emphasise the strong links between emerging African American music in the USA and the development of jazz in mainstream popular culture in Wales; the emancipation and contribution of Welsh women to the music and its social-cultural heritage; and an historical appraisal as the music journeyed towards the Second World War and into living memory. The jazz story is set amid the politics, socio-cultural and feminist history of the time from whence the music emerged ? which begs the question ‘When Was Jazz?’ (to echo Gwyn A. Williams in 1985, who asked ‘When Was Wales?’). If jazz is described as ‘the music of protest and rebellion’, then there was certainly plenty going on during the jazz age in Wales.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞In the face of the contested legacy of ＜em＞engagement＜/em＞ in the Francophone context, this interdisciplinary collection demonstrates that French and Francophone writers, artists, intellectuals and film-makers are using their work to confront unforeseen and unprecedented challenges, campaigns and causes in a politically uncertain post-9/11 world. Composed of eleven essays and a contextualising introduction, this volume is interdisciplinary in its treatment of ＜em＞engagement＜/em＞ in a variety of forms, as it reassesses the relationship between different types of cultural production and society as it is played out in the twenty-first century. With a focus on both the development of different cultural forms (Part 1) and on the particular crises that have attracted the attention of cultural practitioners (Part 2), this volume maps and analyses some of the ways in which cultural texts of all kinds are being used to respond to, engage with and challenge crises in the contemporary Francophone world.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Urs-Peter hat Selina im Internet kennengelernt. Nach zwanzig Stunden Flug landet er irgendwo in einem hei?en Land. Am Flughafen erwarten ihn Selina, ihre Schwester und ein Priester. Offenbar will Selina den Mann, den sie zum ersten Mal sieht, sofort heiraten. Urs-Peter ist irritiert und angewiesen auf die Englischkenntnisse von Selinas Schwester. Aber schon bald finden die beiden eine ganz eigene, gemeinsame Sprache. Gen?gt das f?r ein Leben zu zweit?＜/p＞ ＜p＞Laura de Weck, geboren 1981, studierte Schauspiel an der Hochschule der K?nste Z?rich. Neben ihrer Arbeit als Schauspielerin schreibt sie Theaterst?cke, die in viele Sprachen ?bersetzt wurden. 2022 war sie Headautorin und Creator der TV-Serie ≫Emma l?gt≪ (SRG SSR). Ab Herbst moderiert sie gemeinsam mit Jennifer Khakshouri die Literatursendung LITERATURCLUB auf 3sat und SRF. Laura de Weck lebt mit ihrer Familie in Hamburg.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞In ＜em＞Tango＜/em＞ erinnern sich Arturs Eltern an die Zeiten, in denen Tangotanzen noch ein Skandal war. Doch mit diesen und allen anderen Zw?ngen und Konventionen haben sie gr?ndlich aufger?umt. Artur beschwert sich nun ?ber die totale Freiheit, ＜em＞weil nichts mehr m?glich ist, weil eben alles m?glich ist＜/em＞. Er fordert sein ＜em＞Recht auf Aufruhr＜/em＞.＜/p＞ ＜p＞Slawomir Mrozek, geboren 1930 in Borzecin bei Krakau, studierte Architektur, Kunstgeschichte und Orientalistik. In Polen war er zun?chst als Karikaturist erfolgreich, bevor er als Schriftsteller in Erscheinung trat. 1957 erschien sein erstes Buch mit satirischen Erz?hlungen. Es folgten seine St?cke (darunter ?Tango?, ?Emigranten?, ?Polizei?, ?Striptease?), mit denen er Weltruhm erlangte. In Deutschland geh?ren sie zu den meistgespielten Theaterst?cken ?berhaupt. 1962 verlie? er Polen und beantragte 1968, als Reaktion auf die Niederschlagung des Prager Fr?hlings, in Frankreich politisches Asyl. Nach langen Jahren in Paris und sp?ter in Mexiko kehrte er 1996 in seine Heimatstadt Krakau zur?ck. Die letzten Jahre lebte er in Nizza, wo er 2013 verstarb.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞A literary study of childhood in the American Gothic.＜br /＞ 　＜br /＞ Childhood in Gothic literature has often served colonialist, white supremacist, and patriarchal ideologies, but in　＜em＞Uncanny Youth＜/em＞, Suzanne Manizza Roszak highlights hemispheric American writers who subvert these scripts. In the hands of authors ranging from Octavio Paz and Maryse Cond? to N. Scott Momaday and Tracey Baptiste, Gothic conventions critique systems of power in the Americas. As fictional children confront shifting configurations of imperialism and patterns of gendered, anti-queer violence, their uncanny stories call on readers to reckon with intersecting forms of injustice.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞This book is the first attempt to theorise South Asian Gothic production as a common cultural landscape, taking into account both the historical perspective and the variety of media texts. The volume consists of fifteen chapters by experts in film, literature and cultural studies of South Asia, representing the diversity of the region and a number of ways in which Gothic manifests in contemporary South Asian cultures. Gothic in South Asia can be read as a distinctive aesthetic, narrative practice, or a process of signification, where conventional Gothic tropes and imagery are assessed anew and global forms are consumed, appropriated, translated, transformed or resisted. The volume investigates South Asian Gothic as a local variety of international Gothic and part of the transnational category of ＜em＞globalgothic＜/em＞, contributing to the ongoing discussion on the need to de-westernise Gothic methodologies and ensure that Gothic scholarship remains relevant in the culturally-diverse modern world.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞The gothic, particularly in its contemporary incarnations, is often constructed around largely disembodied concepts such as spectrality or the haunted. Body Gothic offers a counter-narrative that reinstates the importance of viscerality to the gothic mode. It argues that contemporary discourses surrounding our bodies are crucial to our understanding of the social messages in fictional mutilation and of the pleasures we may derive from it. This book considers a number of literary and cinematic movements that have, over the past three decades, purposely turned the body into a meaningful gothic topos. Each chapter in Body Gothic is dedicated to a different corporeal subgenre: splatterpunk, body horror, the new avant-pulp, the slaughterhouse novel, torture porn and surgical horror are all covered in its pages. Close readings of key texts by Clive Barker, Richard Laymon, Joseph D'Lacey, Matthew Stokoe, Tony White or Stanley Manly are provided alongside in-depth analyses of landmark films such as Re-Animator (1985), The Fly (1986), Saw (2004), Hostel (2005), The Human Centipede (2011) and American Mary (2012).＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜em＞Watzlaff＜/em＞ lebt im ＜em＞Land der Unfreiheit＜/em＞. Bei einer Fahrt ?bers Meer erleidet er Schiffbruch. Eine gute Gelegenheit f?r Watzlaff, ins ＜em＞Land der Freiheit＜/em＞ zu fliehen. Sein Alter ego, in Form eines Doppelg?ngers, meldet letzte Zweifel an doch Watzlaff l??t es unger?hrt im Meer ertrinken. Nun hindert ihn nichts mehr, reich, m?chtig und gl?cklich zu werden.＜br /＞ Au?erdem: ＜em＞Nochmals von vorn＜/em＞, ＜em＞Propheten＜/em＞'＜/p＞ ＜p＞Slawomir Mrozek, geboren 1930 in Borzecin bei Krakau, studierte Architektur, Kunstgeschichte und Orientalistik. In Polen war er zun?chst als Karikaturist erfolgreich, bevor er als Schriftsteller in Erscheinung trat. 1957 erschien sein erstes Buch mit satirischen Erz?hlungen. Es folgten seine St?cke (darunter ?Tango?, ?Emigranten?, ?Polizei?, ?Striptease?), mit denen er Weltruhm erlangte. In Deutschland geh?ren sie zu den meistgespielten Theaterst?cken ?berhaupt. 1962 verlie? er Polen und beantragte 1968, als Reaktion auf die Niederschlagung des Prager Fr?hlings, in Frankreich politisches Asyl. Nach langen Jahren in Paris und sp?ter in Mexiko kehrte er 1996 in seine Heimatstadt Krakau zur?ck. Die letzten Jahre lebte er in Nizza, wo er 2013 verstarb.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Ein Karneval mit illustren G?sten: Adam und seine Gattin Eva. Goethe, begleitet von Gretchen. Ein Jedermann namens Joe, ein Bischof und der Satan. Und eine geheimnisvolle Dame. Mrozeks letztes St?ck ist ein erotischer Reigen quer durch Zeiten und Realit?tsebenen, federleicht und philosophisch.＜/p＞ ＜p＞Slawomir Mrozek, geboren 1930 in Borzecin bei Krakau, studierte Architektur, Kunstgeschichte und Orientalistik. In Polen war er zun?chst als Karikaturist erfolgreich, bevor er als Schriftsteller in Erscheinung trat. 1957 erschien sein erstes Buch mit satirischen Erz?hlungen. Es folgten seine St?cke (darunter ?Tango?, ?Emigranten?, ?Polizei?, ?Striptease?), mit denen er Weltruhm erlangte. In Deutschland geh?ren sie zu den meistgespielten Theaterst?cken ?berhaupt. 1962 verlie? er Polen und beantragte 1968, als Reaktion auf die Niederschlagung des Prager Fr?hlings, in Frankreich politisches Asyl. Nach langen Jahren in Paris und sp?ter in Mexiko kehrte er 1996 in seine Heimatstadt Krakau zur?ck. Die letzten Jahre lebte er in Nizza, wo er 2013 verstarb.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Ein Luxushotel auf der Krim, die G?ste vertreiben sich die Zeit. Und die Zeit vergeht: der erste Akt spielt um 1910 mit Figuren aus Cechov-St?cken, der zweite Akt kurz nach der Revolution. Im dritten Akt, nach der Perestroika, ist das Hotel zum Treffpunkt f?r die neuen russischen Business-M?nner geworden. Alles hat sich ver?ndert, aber die Strukturen und Menschen sind dieselben. Oder etwa doch nicht?＜/p＞ ＜p＞Slawomir Mrozek, geboren 1930 in Borzecin bei Krakau, studierte Architektur, Kunstgeschichte und Orientalistik. In Polen war er zun?chst als Karikaturist erfolgreich, bevor er als Schriftsteller in Erscheinung trat. 1957 erschien sein erstes Buch mit satirischen Erz?hlungen. Es folgten seine St?cke (darunter ?Tango?, ?Emigranten?, ?Polizei?, ?Striptease?), mit denen er Weltruhm erlangte. In Deutschland geh?ren sie zu den meistgespielten Theaterst?cken ?berhaupt. 1962 verlie? er Polen und beantragte 1968, als Reaktion auf die Niederschlagung des Prager Fr?hlings, in Frankreich politisches Asyl. Nach langen Jahren in Paris und sp?ter in Mexiko kehrte er 1996 in seine Heimatstadt Krakau zur?ck. Die letzten Jahre lebte er in Nizza, wo er 2013 verstarb.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞This is the first book to examine the full range of the evidence for Irish charms, from medieval to modern times. As Ireland has one of the oldest literatures in Europe, and also one of the most comprehensively recorded folklore traditions, it affords a uniquely rich body of evidence for such an investigation. The collection includes surveys of broad aspects of the subject (charm scholarship, charms in medieval tales, modern narrative charms, nineteenth-century charm documentation); dossiers of the evidence for specific charms (a headache charm, a nightmare charm, charms against bleeding); a study comparing the curses of saints with those of poets; and an account of a newly discovered manuscript of a toothache charm. The practices of a contemporary healer are described on the basis of recent fieldwork, and the connection between charms and storytelling is foregrounded in chapters on the textual amulet known as the Leabhar Eoin, on the belief that witches steal butter, and on the nature of the belief that effects supernatural cures.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞This book is a collection of fourteen essays on the ＜em＞Dialogues on Painting＜/em＞, published by the Florentine-born Spanish painter and art theorist Vicente Carducho (1568?1638) in 1633. This was the first treatise in Spanish on the art of painting, written as part of a campaign led by Carducho in collaboration with other prominent painters working in Madrid, to raise the status of the artist from artisan to liberal artist. The treatise provides an overview of the melding of Italian Renaissance art theory and Madrilenian practice in the baroque era. It also offers first-hand insight into collecting in Madrid during this crucial period in the rapid expansion of the capital city. The present collection of essays by art historians and hispanists from the UK, Spain, Germany and the US examines each of the dialogues in detail, furnishing an account of Carducho’s campaign to establish a painting academy and to professionalise the office of the painter; detailing the publication history of the treatise and the interrelationship between painting and poetry; and it cites Carducho’s own painting in relation to the Italian and Spanish traditions within which he operated.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞OPEN ACCESS＜/p＞ ＜p＞To view Embodying Contagion for free click on the following link: www.uwp.co.uk/app/uploads/Embodying-Contagion-full-pdf-OA-low-res-min.pdf＜/p＞ ＜p＞This edited volume is also available to read on OAPEN: library.oapen.org/handle/20.500.12657/47586＜/p＞ ＜p＞From ＜em＞Outbreak＜/em＞ to ＜em＞The Walking Dead＜/em＞, apocalyptic narratives of infection, contagion and global pandemic are an inescapable part of twenty-first-century popular culture. Yet these fears and fantasies are too virulent to be simply quarantined within fictional texts; vocabulary and metaphors from outbreak narratives have now infiltrated how news media, policymakers, and the general public view the real world and the people within it. In an age where fact and fiction seem increasingly difficult to separate, contagious bodies (and the discourses that contain them) continually blur established boundaries between real and unreal, legitimacy and frivolity, science and the supernatural. Where previous scholarly work has examined the spread of epidemic realities in horror fiction, the essays in this collection also consider how epidemic fantasies and fears influence reality. Bringing scholarship from cultural and media studies into conversation with scholarship from the medical humanities and social sciences, this collection aims to give readers a fuller picture of the viropolitics of contagious bodies in contemporary global culture.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Since publication of Thomas More‘s ＜em＞Utopia＜/em＞ more than five hundred years ago, there has been a steady stream of literary works that depict a better world; positive utopias in film, however, have been scarce. There is a consensus that utopias in the Morean tradition are not suited to fiction film, and research has accordingly focused on dystopias. Starting from the insight that utopias are always a critical reaction to the deficits of the present, ＜em＞Utopia and Reality＜/em＞ takes a different approach by looking into the under-researched area of propaganda and documentary films for depictions of better worlds. This volume brings together researchers from two fields that have so far seen little exchange ? documentary studies and utopian scholarship ? and covers a wide range of films from Soviet avant-garde to propaganda videos for the terror organisation ISIS, from political-activist to ecofeminist and interactive documentaries.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Carmarthen Castle was one of the largest castles in Wales in the Middle Ages, as well as one of the most important due to its function as a center of government and as Crown property in an area of Welsh lands and the lordships of the Mers. Most of the castle was demolished during the seventeenth century, before being redeveloped first as a prison and then as headquarters for the local authority. Again, the ruins and their location are extremely impressive. Between 1993 and 2006, a significant program of archaeological work and research was undertaken, work which is described in detail in this book. The history of the castle is also explored, along with its impact on the area and on Wales as a whole. We get a picture of the officials and residents of the castle, their activities, and their interaction with the surrounding world. The excavations at the castle and the relics found are described, together with the archaeological potential that remains. This book places Carmarthen Castle in the history of Medieval Wales, giving it its own place in the wider field of castle studies and architectural history, to present a study that is a significant contribution to the history of one of the great towns of Wales.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞This is a ground-breaking exploration that runs generally against the critical grain in identifying a burgeoning production of films of fear and horror before the admission of the horror film genre per se. It is a study that reveals and emphasises the formative and innovative power of film, from Georges ＜em＞M?li?s’s Le Manoir du Diable＜/em＞ (1896) to Edgar G. Ulmer’s superbly reflexive ＜em＞The Black Cat＜/em＞ (1934). With its focus on twenty-one key films, and referencing other relevant productions, the present study involves an inclusive and sensitive approach. It reveals an awareness of the heterogeneity of horror production with the discussion spanning the period of the invention of movies, the expansion from single-reelers to longer and continuous productions, and the advent of talkies. Stepping beyond the bounds of Anglo-American studios, in its seven chapters the book involves the work of directors from France, Spain, England, Moravia, Germany, Italy, Denmark, Mexico and the USA, to consider and compare films that have not previously received serious attention.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞Examines the ＜em＞Ozidi Saga＜/em＞ -- one of Africa's best-known epics -- as an example of oral literature and as a reflection of the specific social and political concerns of the Niger Delta.＜/strong＞＜/p＞ ＜p＞＜em＞The Ozidi Saga＜/em＞ is one of Africa's best known prosimetric epics, set in the Delta region of Nigeria. ＜em＞Blood on the Tides＜/em＞ examines the epic -- a tale of a warrior and his sorcerer grandmother's revenge upon the assassins who killed her son -- both as an example of oral literature and as a reflection of the specific social and political concerns of the Nigerian Delta and the country as a whole. In addition the book considers various iterations ofthe saga, including a performance of the entire saga in 1963 in Ibadan by the folk artist Okabou Okobolo, which was subsequently transcribed, translated, and edited by the renowned Nigerian poet, playwright, and scholar John Pepper Clark-Bekederemo. The study concludes with a look at the work of contemporary Nigerian creative writers and their connection to the powerful literary and historical currents of the Ozidi story.＜/p＞ ＜p＞Isidore Okpewho is Distinguished Professor of Africana Studies, English, and Comparative Literature at Binghamton University (SUNY). He is the author of ＜em＞The Epic in Africa＜/em＞, ＜em＞Myth in Africa＜/em＞, ＜em＞African Oral Literature＜/em＞, and ＜em＞Once upona Kingdom＜/em＞. An award-winning novelist, he has published four titles: ＜em＞The Victims＜/em＞, ＜em＞The Last Duty＜/em＞, ＜em＞Tides＜/em＞, and ＜em＞Call Me by My Rightful Name＜/em＞.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Shakespeare’s use of location governs his dramas. Some he was personally familiar with, like Windsor; some he knew through his imagination, like Kronborg Castle (‘Elsinore’); some matter because Shakespeare’s plays were performed there, like Hampton Court and the Great Hall of the Middle Temple. Shakespeare’s plays are powerfully shaped by their sense of place, and the location becomes an unacknowledged actor. This book is about the locations that he used for his plays, each of which the author has visited, and the result presents the reader with a sense of those places that Shakespeare knew either through direct personal contact or through his imaginative re-interpretation of the scene.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Barcelona: Visual Culture, Space and Power offers a unique approach to the history of the avantgarde in Barcelona, as well as its legacy in the post-war period. It presents the relationship between environment, identity and performance as explored by countercultural artists and communities from the 1960s to the present day.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞The Horror genre has become one of the most popular genres of TV drama with the global success and fandom surrounding ＜em＞The Walking Dead, Supernatural＜/em＞ and ＜em＞Stranger Things＜/em＞. Horror has always had a truly international reach, and nowhere is this more apparent than on television as explored in this provocative new collection looking at series from across the globe, and considering how Horror manifests in different cultural and broadcast/streaming contexts. Bringing together established scholars and new voices in the field, ＜em＞Global TV Horror＜/em＞ examines historical and contemporary TV Horror from Australia, Brazil, Canada, Denmark, France, Iran, Japan, Spain, New Zealand, USA and the UK. It expands the discussion of TV Horror by offering fresh perspectives, examining new shows, and excavating new cultural histories, to render what has become so familiar ? Horror on television ? unfamiliar yet again.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Luis de Morales, known as El Divino because of his intensely religious subject matter, is the most significant and recognisable Spanish painter of the mid-sixteenth century, the high point of the Spanish and Portuguese counter-reformations. He spent almost his entire working life in the Spanish city of Badajoz, not far from the border with Portugal, and did not travel outside of a small area around that city, straddling the border. The social, political and cultural environment of Badajoz and its environs is crucial for a thorough understanding of Morales’s output, and this book provides context in detail ? considering literature and liturgical theatre, the situation of converted Jews and Muslims, the presence of Erasmianism, Lutheranism and Illuminism (Alumbradismo), devotional writing for lay people, and proximity to the Bragan?a ducal palace in Portugal as a means of explaining this most enigmatic of painters.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞Conceptualizes the genre of American assassination fiction as a dramatization of the tension between individualism and mass society in US culture.＜/strong＞＜/p＞ ＜p＞＜em＞Vote with a Bullet＜/em＞ is the first systematic study of assassination in American fiction. It proffers not only a fundamental overview of the genre but also an argument about its larger cultural, aesthetic, and political significance in the present moment as well as in the respective historical contexts of the works themselves.＜br /＞ The study argues that American assassination fiction is a symbolic condensation of the larger conflict between individual and society that is at the heart of modern democracy, and that has been especially contested in the democratic culture of the US. Starting with Henry James's ＜em＞The Princess Casamassima＜/em＞ (1886) and ending with Noah Hawley's ＜em＞The Good Father＜/em＞ (2012), the chapters analyze twelve works ranging from canonical classics to popular genre fiction. A conclusion considers Thomas Pynchon's ＜em＞Against the Day＜/em＞ (2006). The book describes the loose continuum of assassination fiction as an imaginary laboratory in which fantasies of individual empowerment and social unity play out in different ways, negotiating the tension between individualism and mass society in a democracy that is based on the former but must restrict it to preserve the latter. Furthermore, the study connects the imaginary of assassination with a variety of related themes such as hegemonic masculinity and whiteness, electoral and non-electoral political choice, agency panic, subjectivity, as well as conspiracies and conspiracy theory.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Plants have played key roles in science fiction novels, graphic novels and film. John Wyndham’s triffids, Algernon Blackwood’s willows and Han Kang’s sprouting woman are just a few examples. Plants surround us, sustain us, pique our imaginations and inhabit our metaphors ? but in many ways they remain opaque. The scope of their alienation is as broad as their biodiversity. And yet, literary reflections of plant-life are driven, as are many threads of science fictional inquiry, by the concerns of today. ＜em＞Plants in Science Fiction＜/em＞ is the first-ever collected volume on plants in science fiction, and its original essays argue that plant-life in SF is transforming our attitudes toward morality, politics, economics and cultural life at large ? questioning and shifting our understandings of institutions, nations, borders and boundaries; erecting and dismantling new visions of utopian and dystopian futures.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Now available in paperback, this fully illustrated volume traces the emergence of Welsh traditional music through the ages and is complemented throughout with more than 200 musical examples. Phyllis Kinney's Welsh Traditional Music covers the traditional music of Wales from its beginnings through to the present day, providing musical analysis and placing its material firmly into a social and historical context. Among the many different forms of Welsh traditional music discussed are seasonal music (including wassail songs, Christmas and May carols and Plygain carols), folk drama, ballad-singing, the relevance of the eisteddfod and the musical journals of the nineteenth century. Additionally, the book includes a history of song collecting from the eighteenth century to the establishment and ongoing activities of the Welsh Folk-Song Society in the twentieth; both the instrumental and the vocal traditions are examined, as well as the uniquely Welsh tradition of ‘cerdd dant’. This is a work of pioneering scholarship that accounts for Welsh traditional music within the context of a greater Welsh musical tradition.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞“Modernism from the Margins” is an accessible and challenging account of the 1930s writing of two of the most popular authors of the time. Locating the work of Louis MacNeice and Dylan Thomas historically, the book questions standard accounts of the period as Auden-dominated and offers an inclusive and theoretical account of the engagement of both writers with the varieties of Modernism. It is the first reading at length of either MacNeice’s or Thomas’s work in the light of literary theory, and one of only a handful of texts to look at the writing of the 1930s in these terms.This book is an important contribution to contemporary discussions of both of these writers, and of the general issues of modernism, postmodernism, literary identity, and cultural identity it raises.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞American Gothic Art and Architecture in the Age of Romantic Literature analyses the impact British Gothic novels and historical romances had on American art and architecture in the Romantic era. Key figures include Thomas Jefferson, Washington Allston, Alexander Jackson Davis, James Fenimore Cooper, Washington Irving, Thomas Cole, Edwin Forrest and Nathaniel Hawthorne. Hawthorne articulated the subject of this book when he wrote that he could understand Sir Walter Scott’s romances better after viewing Scott’s Gothic Revival house Abbotsford, and he understood the house better for having read the romances. This study investigates this symbiotic relationship between the arts and Gothic literature to reveal new interpretative possibilities.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜em＞Precarious Sociality, Ethics and Politics: French Documentary Cinema in the Early Twenty-First Century＜/em＞ brings an original perspective on French cinema’s ‘return to work’ in the early twenty-first century, focusing on the transformation of cinematic activism in view of the rapid dissolution of class narratives and solidarities. It is argued that, reckoning with widespread anxieties about job insecurity, social uncertainty, loss and invisibility in French society, filmmakers catalysed new modes of intervention, best described as embodied praxes of sociality. Combining rigorous film analyses with concepts borrowed from philosophy, sociology, geography and political theory, this study positions documentary as a privileged point of articulation between aesthetics, politics and ethics. The wide-ranging film corpus features well-established ＜em＞auteurs＜/em＞ (Agn?s Varda, Raymond Depardon, Denis Gheerbrant) and less canonical filmmakers to celebrate the vitality of contemporary French documentary cinema and its creative contributions to international discussions about work, precarity and social resilience.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Williams analyses and compares the ways in which African Americans and the Welsh have defined themselves as minorities within larger nation states (the UK and US). The study is grounded in examples of actual friendships and cultural exchanges between African Americans and the Welsh, such as Paul Robeson s connections with the socialists of the Welsh mining communities, and novelist Ralph Ellison s stories about his experiences as a GI stationed in wartime Swansea. This wide ranging book draws on literary, historical, visual and musical sources to open up new avenues of research in Welsh and African American studies.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Paulo Em?lio Salles Gomes (1916?77) is revered in Brazil as the first ardent defender, promoter and theorist of Brazilian cinema. A film professor, critic and historian, his dedication to cinema shaped a generation of influential film critics in his home country, and set the foundations for the serious study of film in Brazil. For the first time in English, this book brings together a selection of his essays for an English-speaking audience, with detailed explanatory introductions to each section for readers unfamiliar with the context of the writings of Salles Gomes.＜/p＞ ＜p＞By blending together ruminations on global and national cinema, as well as avant-garde film and popular movies, the collection shows how the defence and promotion of a national cinema has been forged through dialogues with international trends, informed by commercial influences, and shaped by global and national political contexts. The book thus introduces readers to the international dimensions of Salles Gomes’s engagements with film, and in doing so reassesses the locatedness of his formulations on national cinema and signals their international dimensions.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Paulo Em?lio Salles Gomes (1916?77) is revered in Brazil as the first ardent defender, promoter and theorist of Brazilian cinema. A film professor, critic and historian, his dedication to cinema shaped a generation of influential film critics in his home country, and set the foundations for the serious study of film in Brazil. For the first time in English, this book brings together a selection of his essays for an English-speaking audience, with detailed explanatory introductions to each section for readers unfamiliar with the context of the writings of Salles Gomes.＜/p＞ ＜p＞By blending together ruminations on global and national cinema, as well as avant-garde film and popular movies, the collection shows how the defence and promotion of a national cinema has been forged through dialogues with international trends, informed by commercial influences, and shaped by global and national political contexts. The book thus introduces readers to the international dimensions of Salles Gomes’s engagements with film, and in doing so reassesses the locatedness of his formulations on national cinema and signals their international dimensions.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。